Which shot is defined as magnifying an object to the extent that only a specific part fills the screen?

The definition of a shot that magnifies an object to the point where only a specific part fills the screen is accurately described by the term ‘extreme close-up.’ This type of shot is often used to emphasize intricate details that might be overlooked in wider shots, such as a character's eye, a detail of a prop, or a crucial element in a scene. The extreme close-up creates an intimate connection with the viewer, intensifying the emotional impact of that detail or moment within the narrative.

While other options present different types of shots, they do not meet the criteria of magnifying a single specific part to fill the screen. For example, a medium close-up typically captures the subject from the shoulders up, allowing for a broader view than an extreme close-up. A macro shot is often associated with photographing very small subjects but still doesn’t imply exclusivity to just a specific part in the same cinematic context. A group shot is used to show multiple subjects within a frame, lacking the focus on an individual detail that the extreme close-up delivers.